yeah, and Adams was dealing with enormous negatives that required chemical processing, which then got printed onto enormous prints and were very very very much edited! one example you can see here with the artist, they’re quite distinct! But this is analog editing, overexposing some areas (burning) and underexposing the image in other areas (dodging), using lights and mattes to select areas.
there’s a tremendous amount of intent that goes into finding the location, then the weather, and time, and waiting for magic - that part in the clouds or just as light filters past a ridge - and then with analog photography, you shoot and hope lol, there’s no instant feedback, just trust the process and be meticulous.
yeah, and Adams was dealing with enormous negatives that required chemical processing, which then got printed onto enormous prints and were very very very much edited! one example you can see here with the artist, they’re quite distinct! But this is analog editing, overexposing some areas (burning) and underexposing the image in other areas (dodging), using lights and mattes to select areas.
https://jtunney.com/the-art-of-dodge-burn/
there’s a tremendous amount of intent that goes into finding the location, then the weather, and time, and waiting for magic - that part in the clouds or just as light filters past a ridge - and then with analog photography, you shoot and hope lol, there’s no instant feedback, just trust the process and be meticulous.