PS The only derogatory I can say about the young generation as a whole is, where the fuck is your rock and roll? You’re listening to your grandparent’s music. Lame.
I think about this all the time, actually. I think part of it is that music is so atomized into a zillion sub-genres, and there doesn’t seem to be really big zeitgeist-level types of things. Streaming vs. curating has changed the dynamics back to being more similar to what the boomers started off with, ironically, when they were buying 45’s, and before albums became a thing. :)
Anyway, the things that make the really big $$$ all seem rather nutless and uninspiring, if you ask me. Where is the music that might scare the parents?
But then, if you look back at what was charting in a given decade, you might be surprised at how schmaltzy things were way back, too. Look at the Seventies, as a for instance, and see what the top 40 was playing.
Phonk was fun in a 2 Fast 2 Furious kind of way. Well, the 5 phonk songs that are good, then everyone else copied those.
Hyperpop is current. It’s super-broad and I’m not sure if there is a great definition. Apparently someone called SOPHIE is like a godmother to this genre before she passed away. From my research hyperpop has become an overly broad genre, ranging from maximalist happy-breakcore (which is how I know it) to depressed autotune mumble rap.
SOPHIE might scare you. I"ve been flipping through her singles as I write this. Like hyperpop itself, her style is very varied. But generally breaks from traditional conventions of both pop and edm.
IMO a big factor is that the production quality of music (as well as movies and TV) hit a point where it no longer sounds or looks as dated. Digital remastering cleans up any flaws, now the only tip off to the age is content.
Yeah I’m hip to the schmaltzy tunes of the 70’s, I’m a big fan. Looking at you BJ Thomas.
I’m sure there is good rock going on now, it’s just not making it into the mainstream. I’m a product of 80’s punk rock. It never got mainstream attention but it did spawn acts that did in the 90’s.
I think about this all the time, actually. I think part of it is that music is so atomized into a zillion sub-genres, and there doesn’t seem to be really big zeitgeist-level types of things. Streaming vs. curating has changed the dynamics back to being more similar to what the boomers started off with, ironically, when they were buying 45’s, and before albums became a thing. :)
Anyway, the things that make the really big $$$ all seem rather nutless and uninspiring, if you ask me. Where is the music that might scare the parents?
But then, if you look back at what was charting in a given decade, you might be surprised at how schmaltzy things were way back, too. Look at the Seventies, as a for instance, and see what the top 40 was playing.
Phonk was fun in a 2 Fast 2 Furious kind of way. Well, the 5 phonk songs that are good, then everyone else copied those.
Hyperpop is current. It’s super-broad and I’m not sure if there is a great definition. Apparently someone called SOPHIE is like a godmother to this genre before she passed away. From my research hyperpop has become an overly broad genre, ranging from maximalist happy-breakcore (which is how I know it) to depressed autotune mumble rap.
SOPHIE might scare you. I"ve been flipping through her singles as I write this. Like hyperpop itself, her style is very varied. But generally breaks from traditional conventions of both pop and edm.
IMO a big factor is that the production quality of music (as well as movies and TV) hit a point where it no longer sounds or looks as dated. Digital remastering cleans up any flaws, now the only tip off to the age is content.
Yeah I’m hip to the schmaltzy tunes of the 70’s, I’m a big fan. Looking at you BJ Thomas.
I’m sure there is good rock going on now, it’s just not making it into the mainstream. I’m a product of 80’s punk rock. It never got mainstream attention but it did spawn acts that did in the 90’s.