That is interesting. I like that they used YouTube channels. I feel like TV is sadly a dying platform though I do hate the day that TV and Cinema die. Unfortunately it only happens cause TV License people dug their own grave. Also, there is not enough new stuff to watch on TV with every streaming service putting out so many platforms to watch on. Though maybe I am being too cynnical and I apolagize.
I wouldn’t say you’re too cynical with that view. I mean, the 2 German public broadcast channels (ARD, ZDF) are under constant fire for basically catering to an audience that is slowly dying out - both metaphorically and physically. Sure, some of these shows still have some popularity with younger generations, but that is few and far between. It’s pretty much the same idea that plagues big corporations - change is scary as it poses a risk, so they avoid it - even if they literally have nothing to lose.
And I agree that the fractured streaming environment made it ever harder to license content. However, I don’t think they should focus on licensing content to begin with. Instead, offer more grants for independent studios to create publicly available movies and shows. I mean, as we speak, Glitch is funding multiple shows to be viewed for free on YouTube. Why can’t public broadcast channels do that more too?
That is interesting. I like that they used YouTube channels. I feel like TV is sadly a dying platform though I do hate the day that TV and Cinema die. Unfortunately it only happens cause TV License people dug their own grave. Also, there is not enough new stuff to watch on TV with every streaming service putting out so many platforms to watch on. Though maybe I am being too cynnical and I apolagize.
I wouldn’t say you’re too cynical with that view. I mean, the 2 German public broadcast channels (ARD, ZDF) are under constant fire for basically catering to an audience that is slowly dying out - both metaphorically and physically. Sure, some of these shows still have some popularity with younger generations, but that is few and far between. It’s pretty much the same idea that plagues big corporations - change is scary as it poses a risk, so they avoid it - even if they literally have nothing to lose.
And I agree that the fractured streaming environment made it ever harder to license content. However, I don’t think they should focus on licensing content to begin with. Instead, offer more grants for independent studios to create publicly available movies and shows. I mean, as we speak, Glitch is funding multiple shows to be viewed for free on YouTube. Why can’t public broadcast channels do that more too?