It strikes me as a quintessential post-9/11 movie, just like Independence Day’s rah-rah, feel-good American exceptionalism feels intrinsically tied to the mid to late 90s. Dated, sure, but dated to the period of its release. However, I don’t know if I’ve seen it since release, so perhaps I’m misremembering aspects.
What makes you say that?
It strikes me as a quintessential post-9/11 movie, just like Independence Day’s rah-rah, feel-good American exceptionalism feels intrinsically tied to the mid to late 90s. Dated, sure, but dated to the period of its release. However, I don’t know if I’ve seen it since release, so perhaps I’m misremembering aspects.
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