Same. His auteur sensibilities are a pretty perfect match for my taste. I am incredibly fond of all his output (with the exception of Caught Stealing, which I haven’t seen yet), including his most polarizing films - Noah and mother! Even the blemishes on those imperfect projects just make them more interesting.
I watched a minute or two of the first “episode” and it reeked of an artless studio hack misguidedly copying an early-aughts editing style that is as poorly executed as it as an unfit complement to the subject matter. And that’s beside the plastic sheen and evident soullessness that just comes with AI-generated video. This feels like an aging filmmaker experimenting with new technology because he’s more afraid of being left behind than he is able to understand the thing he’s being pressured to engage with.
This was exactly the way I thought of my spending habits for a long time. Then a few years ago, Netflix prohibited password sharing, a soft feature they had specifically encouraged in the past, with the explicit purpose of desperately generating additional revenue as other growth streams plateaued. When most users just kind of accepted it, the dam broke and all the other services followed suit.
That was the final straw for me, on top of the proliferation of dedicated per-studio services, price hikes, and pricing tiers that created needless feature lock-outs. As a consumer I get dicked around in every sector in which I’m forced to participate, but this is one sector where I have an option to withdraw from the dicking.