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Joined 2 years ago
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Cake day: December 30th, 2023

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  • X1 used to give 3 points and my buddy’s rental house charged a 2 and change percent fee. He could only get full point values certain places so he’d save up all the points and that was his Christmas fund. He’d bank $600/yr ( about $500 real dollars from paying the transaction fee plus the extra hundred-ish bucks in points he’d get for free). They recently went to a 1.5 point model but kept the restrictions on where you could spend to get the full point value. Guess what card of his never gets used now.






  • I also use Superior Drummer with an electronic kit as well. That Tama is cool!

    But! A lot of times I’ll use my edrum kit but mic up a real snare. I’ve got a Mapex tomahawk snare that I’m in love with. I put a contact on it so I can get something for the SD overheads, but I record it dry as shit with a 57 then pop it in Sound City Studios and goddamn it sounds amazing. Like that is what a snare is supposed to sound like to me.

    I know the tomahawk isn’t what people think of when they’re recording drums unless that’s all they have, but there’s something about it reamped in Sound City with another steel shell in the OH is just what it’s supposed to be to my ears.








  • Money and time. I was on the grind for 20 years and poor as shit for the great majority of my life. I didn’t have the time to go do all the things I do now.

    So I’m the middle aged guy riding a motorcycle, playing in bands, drinking too much in public as long as I’m not driving, going to every concert of nearly every genre I can get to…you know, living. I’m not in crisis, I’m having the time of my life. I’d say the last 8ish years have been the absolute most fun of my life.


  • Hell, iZotope was the standard for so many years. I use RX on my field recording to clean them up before making them into samples a lot of times.

    Private equity kills everything, I swear. It doesn’t help that UA went native mostly and Waves prices so aggressively, Arturia and Akai are innovating, and Spitfire and OT cut Kontakt out of the loop. However, I’m fucking sure it’s like 90% on Francisco Partners getting rid of the support teams for outsourcing, deleting the highest paid engineers, stopped fixing bugs, and whatever the fuck they were doing with Soundwide instead of doing things for customers.


  • I guess it does depend on what you call a circle. There are maybe a dozen of us in one. In the other there are probably three or four dozen. I don’t know everyone. I got invited because I like genre bending. We’ve got a private forum where we share things.

    Even outside of that, there is a place that used to be less private but has now gone private (guess why) where we would do Sunday songwriters. We’d get a topic, record a little something before the next Sunday, then share. After sharing we’d critique, do mashups, genre hop, create genre crossovers, and generally just have fun with each other’s music.

    I do not know how prevalent this is. I know of two private places, one of which is very small, and a third place that used to be public (with no expectation of anyone actually seeing it) but went private because of Suno.