You Can See Everything is the movie event of the fall. Nathan Fielder and Lance Oppenheim’s documentary has proved to be a potent mixture of zeitgeisty cultural insight and its own discourse-generating machine about the value and nature of documentary filmmaking. The screenings have been sold out and everyone wants to discuss and argue about each scene in minute detail. It is a testament to the film that even given a three-hour runtime, basically every moment feels like it could be ripped out and discussed as though it were the skeleton key for the entire premise. But there is one particular scene that I can’t let go of, and that I really feel needs to be examined at length in order to unearth certain truths about the film and the participants involved. That is the scene in which Billy Evans, Elizabeth Holmes’s partner and the father of her two children, shows hog.