The company is Access Industries and the Founder and Owner is Leonard Blavatnik

Along with what’s in the title, he is accused of reputation laundering against Ukraine and has been personally sanctioned by Volodymyr Zelenskyy. He was also part of a WhatsApp group involving some of the United States’ most powerful business leaders with the stated goals of “changing the narrative” in favour of Israel and “helping win the war” against Gaza.

Everything is in the linked Wikipedia article about him, mostly under the “Controversies and disputes” part.

I switched to Deezer after seeing it recommended as a better Spotify alternative here on Lemmy, but after finding all this I immediately stopped using it. It’s as bad as the shit Spotify does and has done IMO. I’m not here to recommend or push an alternative, but if I can give info on what I use now if someone asks.

  • FlashMobOfOne@lemmy.world
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    6 months ago

    None of the online music streamers are ethical. Every single one, to varying degrees, robs the artists and enriches their CEO’s and shareholders.

    Do the ethical thing.

    Don’t use them, and instead, use a Youtube-to-MP3 converter and steal the music.

    • Mamdani_Da_Savior@lemmy.world
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      6 months ago

      As a fan I kinda view the music business this way

      • Your music brings me in
      • You make money off selling ads on your videos and content and platforms
      • You make money selling merch
      • You make money doing shows
      • You MIGHT make a little streaming, but it won’t be much

      That’s how I see it.

      • DirtPuddleMisfortune@feddit.org
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        6 months ago

        I saw a documentary one, and one artist said: back in the days, you made shows to sell your music (vinyl, later CDs), but now you make music to go on tour and make shows.

    • Derin@lemmy.beru.co
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      6 months ago

      Bandcamp is pretty good, though. Especially on Bandcamp Fridays where all the profits go to the artists. Plus, I like getting FLACs.

      • citizensongbird@lemmy.world
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        6 months ago

        Problem with Bandcamp is they got bought out, first by Epic Games and then by Songtradr, and each time it’s gone through enshittification. Bandcamp Fridays used to be a weekly thing but got changed to (EDIT: semi-monthly) with little announcement, and then half their staff got laid off to pad the bottom line. Even with all that they’re better than the alternatives, but they’re still on a decaying trajectory.

    • GissaMittJobb@lemmy.ml
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      6 months ago

      Are you under the impression that this will pay any artist anything?

      It’s fine to take a pro-piracy stance, but pretending that you’re doing it out of concern for the artists is grade A-bullshit.

      • FlashMobOfOne@lemmy.world
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        6 months ago

        You’re right.

        I should figure out a way to replace the income these artists get for my individual stream. It comes out to fractions upon fractions of a penny.

        The point here is robbing the CEO. There’s no meaningful impact to the artist (unless you’re Taylor Swift) thanks to the way these services are structured.

        • threeduck@aussie.zone
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          6 months ago

          I have some music on streaming services, and get a couple of coins every month. If you pirate my music instead, I’ll get nothing.

          • dustyData@lemmy.world
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            6 months ago

            Set up a Patreon and offer exclusive music content to subscribers, sell directly to fans through Bandcamp. With good marketing and social media presence you would get several times what any streaming service will pay you ever. Even if most people are pirating your music. If you are being pirated, you are worth listening to, and that means that people are willing to pay you something. I tell this to all aspiring musicians, companies are not your friend, labels are not your buddies. The pirate is not your enemy, the megabillionaire monopolistic corp is. Many musicians owe their popularity because a music pirate put their stuff online and got them noticed.

            • overload@sopuli.xyz
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              6 months ago

              Are you suggesting in the end here that music pirates are paying artists in exposure? Musicians really can’t catch a break SMH

              • dustyData@lemmy.world
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                6 months ago

                Not at all, that’s a straw man attack and a complete misread of my comment. Acquire reading comprehension skills then come back if you can come up with a non bad-faith comment.

      • FlashMobOfOne@lemmy.world
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        6 months ago

        I’ve already addressed this. They don’t get fractions of fractions of a penny.

        We know this because Weird Al used his year-end video to make the world aware that, in return for his tens of millions of streams, he got around $80.00 from Spotify for a whole year.

        The artists aren’t losing anything meaningful when rip songs off Youtube, but the CEO is for sure, at least he would if we all did this.

        • EarlGrey@discuss.tchncs.de
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          6 months ago

          If you mean that video where he talked about getting $12 for 80 million streams…he was very clearly taking the piss.

          He made closer to $200k, which is still pretty low (hence, the joke) and doesn’t account for his labels cut.

        • vga@sopuli.xyz
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          We know this because Weird Al used his year-end video to make the world aware that, in return for his tens of millions of streams, he got around $80.00 from Spotify for a whole year.

          How does that work? 10 million Spotify streams should pay more than $20k in royalties.

  • mitram@sopuli.xyz
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    6 months ago

    Since we are on this topic I would incentivise everyone to take a look at resonate.

    They are, AFAIK, the only music streaming service where artists, workers and listeners are owners (aka it’s a cooperative)

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      6 months ago

      This is an interesting idea, but I would assume that over time, the number of “owned” streams would dominate the number of “new” streams, and thus eventually their operating costs would reach a point where they don’t have the revenue to cover it…

      • mitram@sopuli.xyz
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        6 months ago

        At that point their governance structure would show it’s strengths by enabling a democratic decision taking that could solve the issue

        Workers, for example, could suggest a small subscription fee that would cover the infrastructure cost, while listeners will most likely object, their view would be valued and impact the approval of any proposed solution

    • daw@feddit.org
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      6 months ago

      Its not even a flatrate

      The pricing looks like its stacking quick if you do neither listen to the same songs over and over or entirely new ones, i dont know if I find the pricing fair for the consumer.

      • atomicbocks@sh.itjust.works
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        6 months ago

        Yeah this is not a transparent pricing model. You start at $0.025 and “go up” from there but I can’t find how much. After you listen to a song 9 times and have paid $1.40 you “own” it but can still only listen to it on their service?

        This sounds like iTunes with more steps.

        • mitram@sopuli.xyz
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          6 months ago

          I’m not sure where you get the information that it’s not DRM free

          They explicitly say you can download songs while not mentioning the inclusion of any DRM

          I’m curious where you found that

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            6 months ago

            It’s still not possible, according to the FAQ: Q: Can I download music I own on Resonate? A: In the future, we intend to offer the ability to download tracks that you own on Resonate to your local device. This feature is not yet available.

            So for now, it’s just streaming.

    • kurcatovium@piefed.social
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      6 months ago

      This is an interesting idea, but I find their catalogue to be quite terrible for me (so far). Service like this really, really needs big names and much broader catalogue to attract people and start moving. Even though I’m far far from listening to mainstream I literally could not find a single interpret I looked for, and believe me I tried.

  • Lanske@lemmy.world
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    6 months ago

    Qobuz is awesome and still 100% french. Also the platform which pays artists better then spotify

    • Appoxo@lemmy.dbzer0.com
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      6 months ago

      Thanks, I’ll prefer Bandcamp.

      Now seriously: Does Qobuz have a equal catalog to Spotify and a bigger/more mainstream catalog than Bandcamp?

      • EarlGrey@discuss.tchncs.de
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        6 months ago

        Yes, Qobuz is significantly more mainstream than BandCamp. I don’t know if the catalogue is on par with Spotify or AM or whatever, but most popular music is on it.

        Bandcamp is like an indie zine that occasionally ships with a burned CD from a local band that has to live in the same rented house with no A/C and a half empty bottle of makers mark in the fridge.

        Qobuz is a record store.

  • kautau@lemmy.world
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    6 months ago

    Blavatnik was a member of a WhatsApp group chat that existed from November 2023 until early May 2024 involving some of the United States’ most powerful business leaders with the stated goals of “chang[ing] the narrative” in favor of Israel and “help[ing] win the war” on U.S. public opinion following Hamas’s October 7th attack on Israel.

    Ah, every single rich person. So predictable at this point it’s like a Tinder profile. It’s what most billionaires are and what most right-wing idiots want to become.

    50m (I just spent 50 million dollars for a party for rich people)

    Likes: Tyranny, Autocrats, Colonialism, Wealth Gaps, Kids (Yeah like that 😉), Abrahamic Religions, Unobstructed Hypercapitalism

    Dislikes: Unions, Social Progress, Clean Air & Water (except for me lol duh), Equality, Regulation, The EU, “Other Races”

  • jjjalljs@ttrpg.network
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    6 months ago

    I’ve been buying mostly mostly from Bandcamp. It’s worked out well. I have a big library, and the people making music got paid.

  • obvs@lemmy.world
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    6 months ago

    I switched to Deezer because I found reasons why all of the others were unethical. What would you suggest for a streaming service whose services are ethical?

    • weaselsrippedmyflesh@lemmy.pt
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      6 months ago

      I would personally suggest Qobuz, as it is demonstrably the service that pays artists the most and has multiple tiers of lossless audio options. The next best thing would be to buy from artists directly, whenever possible (maybe even physical media, if you have a good sound system for that).

      People here advocating for piracy sound cute, but I wonder how actual musicians would feel about that.

    • daniskarma@lemmy.dbzer0.com
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      6 months ago

      Pirate everything. Pay directly to artists only when they allow you to do so (like direct sales on their website). If they don’t allow you to make money go to them without also paying pigs then don’t pay them at all.

      • COASTER1921@lemmy.ml
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        6 months ago

        What options are there for pirating music? I felt Lidarr was not particularly useful due to the lack of indexers. Unless you like mainstream music it’s quite difficult to find many tracks online (and I’m too picky to be okay with YouTube rips).

        Considering music streaming isn’t fragmented in the same way video streaming is, it’s still well worth paying for a music streaming service as part of a family plan imo. There’s no other hassle free solution to instantly listen to anything I want and be recommended new tracks based on my listening preferences.

        I don’t think there’s any particularly “ethical” option, until now I’ve just used Spotify knowing that they’re losing money anyway. But it turns out they posted their first profitable year last year so who knows what the move is now. Qobuz claims to be ethical and high quality, but I don’t know how good the library is and like with any company they can become evil later.

  • Synapse@lemmy.world
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    6 months ago

    I am buying music as much as I can, and build my own streaming service with Jellyfin. To this day, Bandcamp is were you can find the most music for purchase but not all artists are there. Often, I don’t find any place to purchase albums from artists, then I pirate as a last resort, sorry for that. I’ll go to the concerts when I get the chance, to make up for it.

    • anthony43@sh.itjust.works
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      6 months ago

      Surprised nobody mentioned 7digital, a store to buy music in mp3 or FLAC format. They have both mainstream and niche stuff

      • pulsewidth@lemmy.world
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        6 months ago

        7digital is owned by the same people as Bandcamp BTW. Not that it changes your point, just interesting.

  • fushuan [he/him]@piefed.blahaj.zone
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    6 months ago

    Tidal was originally European but DayZ Jay-z bought it up so it’s technically American now; Qobuz is french but it doesn’t have a “brain-dead radio mode”. Both have unofficial Linux clients.

    Rn I use tidal because it’s on the top 3 of the ones that pay the most to artists iirc(quobuz is up there too) and it hasn’t had a huge American influence that I know of, but do your own research on the alternatives to see which suits you the most, there are tons of articles about them all.

    • kautau@lemmy.world
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      DayZ

      Do you mean Jay-Z?

      It’s now owned by Square, the same company behind squarecash

      I used it for awhile, specifically because while Spotify promised lossless for years, they never delivered. A bonus is, as you said, that it is the platform that has the highest payout for artists.

      That being said, when I stopped using it, it was mostly due to the UX decisions they had made on the platform to force videos on everything. It’s a music app, and yet, one of the main navigation options in the app was for videos. Spotify also fired their original designer and has focused on “engagement” over actually good UX.

    • ikt@aussie.zone
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      6 months ago

      Both have unofficial Linux clients.

      Qobuz doesn’t?

      Sticking with Spotify for now, it supports Linux and has last.fm integration (and is amazing)

  • whaleross@lemmy.world
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    6 months ago

    I’ve been on Tidal for some time but noticed that Qobuz has released a connect service that seems to work like Sp*tify Connect so that you can remote control one instance from another. Like, playing music on computer connected to amp can be controlled through the phone.

    I’d appreciate if somebody using Qobuz could confirm?

      • whaleross@lemmy.world
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        6 months ago

        Thanks! Do you know if it possible to run Qobuz headless or in a docker container or some of the sort? I did some searching but couldn’t find anything.

        • DampSquid@feddit.uk
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          6 months ago

          I’m using volumio on a RPi4 to do this. It’s, unfortunately another subscription layer, but I got a lifetime license, which they may do again? I believe there are free options too though